I’m not sure if I’m alone in this, but I find maintaining an interest in my period romance novel a challenge with all the down-turning of events of late. I confess my pessimism is slightly exaggerated, but the need to fight for compassion, free-speech, and environmental protection is at an all-time high, at least in my lifetime. I find myself challenging a determination to delve into a romance set two hundred and fifty years ago when most of my thoughts are consumed by the present and the immediate future. Should I drop the project I’ve been working on for over a year and crawl into a new genre of politically active contemporary fiction? Maybe I should consider that for the next one, but right now I’m not willing to drop the story I’ve been working on all year just because the world is going to shit.
The question remains: how do I tackle completing a story when I’m thinking about other issues? If I’m not interested in what’s happening in the context of my narrative, neither will the reader be. I have found a few tools and/or helpful thoughts to help me cope.
I am reminding myself to have fun when I write. Guilt is a perfect recipe for sucking the fun out of anything. A writer’s state of mind always seeps across the page to the reader. I started my current novel because I thought it would be a fun story to write. I was excited not only to explore the romance between my two characters, but also by the adventure I could send them on, and the joy of delving into a setting so unlike my own. I find that the more I open myself up to playing with the plot and the supporting characters, the more enjoyment I have. If I have set out to entertain, then I’d better shed some guilt about it, or I only sabotage myself.
I am embracing the influence of political influence on my writing. There is no question that my political thoughts impose themselves on the story as I write, so I have resolved to let this happen. The accidents that happen as I write are influenced by what I’m thinking about. I understand that there is no use fighting the infusion of progressive ideas into what happens to my characters, or who they meet along the way. I have concluded the only answer is to not only embrace but pursue the influences as they occur.
I am allowing myself to enjoy productive distractions. Research can be a giant procrastination hurdle for me because, speaking of fun, I always find myself in a bottomless pit of fascination. However, research is a necessity, especially in period fiction where research provides a necessary gateway to creating a believable setting. I am inspired by glimpsing another time through experiences contemporary to the period. The insight is also helpful in revealing issues of the time that connect to current issues. History repeats itself. I have been digging into old newspapers and look forward to sharing some of my discoveries in a future post.
Finally, I shouldn’t call my novel “fluff.” It might lack serious discourse up front, nor inspire future generations of radicals, but that’s okay. I am writing it solely for entertainment purposes at a time when people are struggling to remain positive, and a bit of entertainment can be refreshing. Besides, my characters are not without opinion, and are not afraid to speak out.
I do have a completed first draft of a novel begging for attention, that takes place slightly in the future, is rife with political discourse and infused with magic realism. Guess what I might be working on next?